Framed reproduction print of 'Cherry Ripe' after Sir John Everett Millais
Valeur estimée: $25 - $75
Documents soumis
CéramiquesVos notes
It's an original psinting
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I. Aperçu de l'objet
This item is a framed reproduction of the famous 1879 oil painting 'Cherry Ripe' by the Pre-Raphaelite artist Sir John Everett Millais. While the user notes it is an 'original painting,' visual evidence suggests it is a modern print or oleograph.
Reproduction Print of 'Cherry Ripe' after Sir John Everett Millais
II. Observations
Framed wall art
Likely offset lithograph or giclée print on paper or canvas; housed in a contemporary gilt-finished composite frame.
Good
The image is a faithful reproduction of Millais' original composition, characterized by Victorian sentimentalism.
A vertical rectangular portrait depicting a young girl (Edie Ramage) in a white dress with a pink sash, wearing a mob cap, and holding a bunch of cherries/flowers. She is seated on a stone step against a dark, wooded background.
- •Overall view of the framed work
- •Frame appears intact with minor surface dust
- •No visible foxing or water damage to the print surface
- •Colors appear somewhat muted, possibly due to lighting or age of the print
III. Datation et analyse de période
Without a high-resolution close-up of the surface, it is impossible to distinguish between a high-quality oleograph and a modern digital print.
Late 20th Century (c. 1970-1990)
- •Frame style and construction are consistent with late 20th-century mass-produced decor
- •The original painting dates to 1879, but this specific iteration lacks the craquelure and depth of a 19th-century oil
- •The image was famously used for Pears' Soap advertisements, leading to millions of reproductions
The original oil painting is a known masterpiece in a private collection; this version lacks the impasto and brushwork characteristic of Millais' hand.
IV. Indicateurs d'authentification
- •The user's claim of 'original painting' is contradicted by the known location of the original work
- •Lack of visible oil paint texture or canvas weave consistent with 19th-century materials
- •Modern 'antique-style' frame made of composite materials rather than hand-carved wood and gilt
This is not a 'fake' in the sense of a forgery intended to deceive, but rather a common decorative reproduction often mistaken by owners for an original due to its age or framing.
No artist signature or gallery labels are visible. The image is one of the most reproduced paintings in history, making any unprovenanced example highly likely to be a print.
- •Accurate iconography of the Millais composition
V. Provenance et contexte culturel
Millais' 'Cherry Ripe' became a cultural phenomenon in the late 19th century. It was reproduced as a color supplement for the Graphic newspaper in 1880, selling 600,000 copies, and later became an iconic advertisement for Pears' Soap.
Sir John Everett Millais (1829–1896), a founder of the Pre-Raphaelite Brotherhood.
While the original is of immense value, modern prints have low collector significance and are primarily valued as decorative items.
VI. Évaluation marchande
This valuation is for a decorative reproduction. If the item were proven to be a period oil painting, the value would be in the hundreds of thousands of dollars.
- •Condition of the frame
- •Size of the reproduction
- •Type of print (oleographs from the early 20th century hold slightly more value than modern digital prints)
- •Similar framed Pears' Soap prints: $20-$50 at regional auctions
- •Large-scale modern canvas transfers of 'Cherry Ripe': $60-$100 in retail decor shops
VII. Recommandations
- •Examine the surface with a 10x jeweler's loupe to look for a dot matrix pattern (indicating a print)
- •Remove the backing paper to check for any hidden labels or inscriptions on the reverse of the support
- •Keep out of direct sunlight to prevent fading of the pigments
- •Dust the frame with a soft, dry cloth; avoid liquid cleaners on the print surface
This is a decorative framed reproduction of Sir John Everett Millais' 'Cherry Ripe.' While a charming Victorian-style piece, it does not possess the material characteristics or provenance of an original 19th-century oil painting.
- •Local fine art appraiser for physical inspection
- •Print specialist at a regional auction house
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