Apulian Red-Figure Volute-Krater with Naiskos Scene, c. 340-320 BC

Valeur estimée: $45,000 - $75,000

Documents soumis

Céramiques

Vos notes

Provenance: Christie's, London, Fine Antiquities, 16 July 1985, Lot 386. Bruce and Ingrid McAlpine Ancient Art, London.

Avertissement important

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Objet de grande valeur

Cet objet peut avoir une valeur significative. Nous vous recommandons vivement de faire appel à un expert pour une estimation en personne avant toute décision d'achat ou de vente.

I. Aperçu de l'objet

An exceptionally fine and large terracotta volute-krater from the late 4th century BC, attributed to the Apulian 'Ornate Style' of Southern Italy. The vessel features complex funerary iconography, including a naiskos scene and molded masques on the handles, supported by prestigious 20th-century provenance.

Apulian Red-Figure Volute-Krater with Naiskos Scene

II. Observations

Volute-krater

Terracotta (Orange-buff clay)

Excellent overall condition

Side A: A naiskos (shrine) containing two figures, flanked by attendants. Side B: A funerary stele with two figures. Neck: A female head emerging from floral scrolls (Side A) and a large palmette (Side B).

A large ceramic vessel with a deep body, flaring neck, and high volute handles. The handles are decorated with molded female 'masques' (Gorgoneia) at the top and swan-head terminals at the shoulder. The body is decorated in the red-figure technique with extensive added white and yellow slip.

  • Image 1: Full view of Side A showing naiskos scene
  • Image 2: Detail of Side B showing stele and figures
  • Image 3: Detail of neck and handles with masques
  • Image 4: Underside of foot showing hand-turning marks and clay body
  • Minor surface wear and abrasions consistent with age
  • Some flaking and loss to the added white and yellow pigments
  • Possible professional restoration to the handles or rim (common for this size)
  • Natural mineral deposits and encrustations visible in recessed areas

III. Datation et analyse de période

While the style is consistent with the 4th century BC, high-quality 19th-century 'Grand Tour' reproductions exist; however, the provenance and technical details here strongly support antiquity.

Late Classical / Early Hellenistic (c. 340–320 BC)

  • Ornate Style of Apulian pottery typical of the late 4th century BC
  • Use of the naiskos motif, which peaked in popularity during this period
  • Molded masques on volutes are characteristic of the 'Patera Painter' or 'Baltimore Painter' circles
  • Elaborate floral scrolls and added polychromy

The style is closely aligned with major Apulian workshops of the 330s BC, specifically those producing monumental funerary vessels for the indigenous elites of Magna Graecia.

IV. Indicateurs d'authentification

Évaluation d'authenticité:Très probablement authentique
  • None significant; the piece exhibits the expected characteristics of high-end Apulian ware

Apulian vases have been forged since the 18th century, but modern fakes often struggle with the chemical composition of the added white/yellow slips and the precise 'relief line' seen in genuine Greek pottery.

The underside of the foot (Image 4) shows genuine ancient potting techniques, including the irregular application of slip and the presence of natural earthen encrustations that are difficult to replicate convincingly.

  • Strong provenance from Christie's (1985) and McAlpine Ancient Art
  • Correct orange-buff clay color and texture for South Italian terracotta
  • Hand-thrown concentric rings on the underside of the foot (Image 4)
  • Authentic 'black glaze' (sintered slip) showing appropriate aging and firing variations
  • Stylistically accurate iconography and figure drawing

V. Provenance et contexte culturel

Produced in Apulia (modern Puglia, Italy) by Greek-influenced workshops. These vessels were primarily intended for funerary use, placed in the tombs of wealthy individuals as markers of status and religious devotion.

The naiskos scene represents a heroized deceased person within a small temple, a central theme in South Italian funerary cults.

Large-scale Apulian kraters are centerpiece items for antiquities collectors and museums, valued for their size, complexity, and the insight they provide into the 'Ornate Style' of Magna Graecia.

VI. Évaluation marchande

Valuations are estimates based on market trends for authenticated antiquities with similar provenance. Actual auction results may vary.

  • Size and complexity of the decoration
  • Presence of the naiskos scene (highly desirable)
  • Integrity of the handles and masques
  • Documented provenance from a Tier 1 auction house (Christie's 1985)
  • Sotheby's New York, 2018: A similar Apulian volute-krater sold for approx. $55,000.
  • Christie's London, 2021: Large Apulian krater with naiskos scene realized £43,750.
  • Bonhams London, 2019: Similar scale vessel with masques realized £35,000.

VII. Recommandations

  • Retain all original Christie's and McAlpine documentation as it significantly bolsters value
  • Consider a Thermoluminescence (TL) test if the piece is ever offered for sale without its full paper trail
  • Consult a specialist in South Italian pottery for a specific artist attribution (e.g., Circle of the Baltimore Painter)
  • Keep in a climate-controlled environment with stable humidity
  • Avoid touching the added white/yellow pigments, as they are fragile and prone to flaking
  • Dust only with a very soft, natural-hair brush; never use water or cleaning agents

This is a museum-quality example of Apulian red-figure pottery. Its impressive scale, elaborate 'Ornate Style' decoration, and solid provenance make it a highly significant and valuable piece of ancient art.

  • Antiquities departments at Christie's or Sotheby's
  • Dr. David Saunders (J. Paul Getty Museum)
  • Specialist conservators of ancient ceramics
Apulian Red-Figure Volute-Krater with Naiskos Scene, c. 340-320 BC | Gotique